I am so excited to share that I have finished my first science fiction novel Libertaria: Genesis, based on my “EPIC” and “GROUNDBREAKING” opera. In a post-USSA dystopia the teen rebel Libertaria escapes from the GenTech Factory and teams up with her addict father to defeat evil reverse-aging geneticists with a ragtag cyborg army. If you enjoy science fiction like the Hunger Games, Blade Runner, or Metropolis, then you will LOVE Libertaria: Genesis, coming out this fall!
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Published by Virtual Opera
Intermedia composer, percussionist, author, and obsessive sci-fi buff, Young composes mind-numbing electroacoustic works heard in Asia, North America, Australia, and Europe. Her music has been heard in film festivals, radio, electronic dance clubs, random boom boxes in France, and as not-so-pleasant background music. Her multimedia works have been performed at venues like the Beijing Conservatory, the International Computer Music Conference, Miramax's Project Greenlight, the Athena Festival, the New York International Independent Film Festival, Art Basil Miami, Turkey's Cinema for Peace, and Pulsefield International Exhibition of Sound Art.
Creation Mov. 2 "Light"
Origins, a riveting album of cinematic soundscapes, pulsating rhythms and enigmatic vocals, was released on CD Baby and i-Tunes in 2008. Origins includes World Order #1, a pounding dance piece about nuclear war and Looking Glass, a nightmarish musical poem. Recent projects include World Order #5, an apocalyptic tale about the decimation of the human race by a viral mutation written for the Kansas State University percussion ensemble, 3D animation, and electronic music, and the Creation, a CGI multimedia oratorio composed for the Millikin University Women's Chorus and percussion ensemble. The world premier of Creation will took place April 17th, 2010, in Decator, Illinois.
The Feminine Musique: Multimedia and Women Today
In 2009 Young published The Feminine Musique: Multimedia and Women Today. The Feminine Musique traces the intersection of experimental music and new media through the works of innovative composers and artists who embraced social change, technology, and music.Young has written for the Kapralova Society Journal, Percussive Notes, Panpipes, the IAWM Music Journal, the SEAMUS Music Journal, and various fine arts websites.
Young has taught at Florida International University and currently teaches composition and sound synthesis at Murray State University.
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SABRINA PEÑA YOUNG 
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